Installation at Hebel 121, Basel Switzerland June 2018
Dallas Art Fair: Anthony Meier Fine Arts, April 2018
Custom Curve, plane accumulation with tall one on purple oops, 2016, etching ink and enamel on panel
Solo Show Self-Made, Krakow Witkin Gallery, Boston, Mass, March 2018
Group show curated by Bridget Donlon at Urban Glass, May 2018
The Banal Adventures of Little Cheeses, 2017, enamel on panel, 74 x 44 inches
“Elevator to the Gallows" at Helena Anrather
January 12 to February 25, 2017
Basel Abbas and Ruanne Abou-Rahme
Lindsay Burke
John Edmonds
Cole Sayer
Kate Shepherd
David Wojnarowicz
"Bagels and Locks" at 56 HENRY
September 22- November 12, 2017
56 HENRY is pleased to present Bagels and Locks, an exhibition of new work by Kate Shepherd. Using rough-hewn sheets of plywood, Shepherd will build a series of walls in the gallery that resemble temporary barriers familiar from construction sites in New York City. Shepherd’s installation brings this form of provisional architecture into the gallery, using barriers intended to block entry or direct pedestrian movement to construct a transient environment of saturated color.
Painting acquired by The Phillips Collection, Washington, D.C.
Red Rabbit, 2011
oil and industrial enamel on panels
90 x 50 in
228.6 x 127 cm
"In Conversation" at Indiana University Center of Art and Design"
Central Park Crack Pieces, 2015
enamel on lasercut wood
detail of work included in "In Conversation"
Bronze casts at Stratton Foundry, Philadelphia
Monument, B: Shake'n Bake, All Bran, 1999-2016
bronze, set of two
7 x 4 3/4 x 1 1/4 in (17.8 x 12 x 3.2 cm)
8 5/8 x 5 1/2 x 2 in (21.9 x 14 x 5.1 cm)
edition of 3
Prints acquired by The Metropolitan Museum of Art, New York, and the Bibliothèque nationale de France, Paris
Post-It, Rectangular, 1997
screenprint on paper
image size: 4 x 12 in
paper Size: 13 x 20 1/4 in
Subway Kiosk included in "Personals" at Skowhegan, New York
Subway Kiosk: M&M, Skittle, Good n’ Plenty, Peanut M&M, 2016
rose gold, sterling silver, brass, bronze